Mini Field Work pt2
Elizabeth ikpaha
I went with my mom to The Wangechi Mutu exhibit at the Brooklyn Museum. I wanted to go with my friends but they weren’t into that kind of stuff, but it was such an eye-opening experience that totally changed how I see art, culture, and storytelling in a really personal way. When I walked into the museum, I was super excited to finally see Mutu’s work since I had heard so much about it on tik tok. I couldn’t wait to check it out! The exhibit was in a big, well-organized gallery that made each piece pop while keeping a cool story going through it all.
I noticed right away how detailed and complex Mutu’s art is. Her sculptures, collages, and installations mixed materials like metal, wood, and natural stuff, often paired with digital and found objects. The mix of traditional African designs with modern global ideas was really cool and showed a lot about how history, identity, and the environment are all connected. For instance, her work “The NewOnes, will free Us” showed these cool futuristic shapes that felt super natural and timeless, making people think twice about what progress and tradition really means.
Every piece of art really pulled you in like, whether it was super big, had awesome colors, or made you think a lot. Mutu’s take on femininity and power really hit home. Her work totally takes back stories about the female body and puts them in a context of strength, beauty, and change. You could really see it in her collages, where all these broken images fit together to make these cool, almost legendary figures. The layering technique really showed the complicated identities and stories that Mutu wanted to express.
What really helped me learn more was seeing how Mutu’s work linked up with the themes I’ve been looking into in my case studies. She totally mixed in stuff about the environment, identity after colonialism, and gender equality into her art in a really cool way. Seeing her work up close really hit different compared to what you read online . The different textures and how the materials feel, along with the way everything is arranged in space, really helped me get a deeper understanding that goes along with all the theories I’ve been learning about. After checking out the exhibit, I felt super inspired and totally energized. It made me realize how important it is to actually get out there and do fieldwork. It’s not just about thinking and learning stuff, but also about feeling and experiencing things firsthand. It showed how important it is to break away from regular school stuff and find new and exciting ways to connect with ideas. Wangechi Mutu’s exhibit was more than just an art show; it was a chance to rethink and reimagine the stories we share about ourselves and the world around us.


One Comment
Shawna M. Brandle (she/her)
This is really excellent work Elizabeth! Our class has really focused on politics (because it’s a politics class ;o) but experiencing the art (for your Kenyan case) and food (for your Nigerian case) is a great way to deepen your learning experience. We didn’t get to talk too much about globalization in our class (we ran out of time, and it’s also more traditionally a part of International Relations, not Intro to Comparative) but I think it’s really interesting how you noted that the Nigerian restaurant also had “global” menu items like gourmet burgers, and cocktails with traditional Nigerian ingredients (that’s globalization in both directions!). Great work! (You don’t need any bonus points as you’ve gotten full credit, but I also love that you included your mom and friends in your learning :o)